Sunday, September 21, 2008

Andy Williams on Columbia 30797 (sealed)

You've Got A Friend - Andy Williams

Front
Back
Review on allmusic.com
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:gvftxqu5ldke

Reviewby William Ruhlmann

Andy Williams had his ups and downs during 1971 before the release of his summer album, You've Got a Friend. On the one hand, "(Where Do I Begin) Love Story," the theme song from the popular cinematic tearjerker, had given him his first Top Ten pop single in eight years that spring, stimulating sales of his Love Story LP, which would go on to sell a million copies. On the other hand, NBC canceled his variety series, The Andy Williams Show, after nine seasons, and it had its final broadcast on July 17. You've Got a Friend followed within weeks. On it, Williams offered his versions of 11 popular songs of 1970 and 1971, most of them previously recorded for hits by the likes of the Bee Gees, Bread, the Carpenters, the Fortunes, the Jackson 5, Carole King, Sammi Smith, and James Taylor. Record business logic of the early '70s held that this was the way for an easy listening artist like Williams to remain popular, and certainly he was less resistant to the approach than some of his slightly older peers. The arrangements closely followed those of the original recordings; the difference was that the voice on the track was Williams', not Michael Jackson's or Karen Carpenter's. But such soft rockers of the early '70s were more palatable to middle-of-the-road audiences than some of the ones from the '60s, making covers by people like Williams less necessary. He still retained enough of his audience for the album to rank among the 100 bestsellers for a few weeks, but without a strong single (the cover of Leon Russell's "A Song for You" was a minor pop singles chart entry), You've Got a Friend couldn't manage the kind of commercial impact Williams had been accustomed to for the previous decade.



S$30 (still sealed)

Saturday, September 20, 2008

Antonio Carlos Jobim on WB W 1636

Love, Strings and Jobim - The Eloquence of Antonio Carlos Jobim
Sold 23/9 Thanks, and enjoy the record!


Sergio Mendes on A&M SP 4137

Look Around - Sergio Mendes & Brasil '66

One of the princes of the Bossa Nova movement stamps his mark on Brazilian standards and other more contemporary takes.

Cover


Back


Label & LP


Review on allmusic.com
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:jifwxq8gld0e

Reviewby Richard S. Ginell

Sergio Mendes took a deep breath, expanded his sound to include strings lavishly arranged by the young Dave Grusin and Dick Hazard, went further into Brazil, and out came a gorgeous record of Brasil '66 at the peak of its form. Here Mendes released himself from any reliance upon Antonio Carlos Jobim and rounded up a wealth of truly great material from Brazilian fellow travelers: Gilberto Gil's jet-propelled "Roda" and Joao Donato's clever "The Frog," Dori Caymmi's stunningly beautiful "Like a Lover," Harold Lobo's carnival-esque "Tristeza," and Mendes himself (the haunting "So Many Stars" and the title track). Mendes was also hip enough to include "With a Little Help From My Friends" from the Beatles' Sgt. Pepper LP. As things evolved, though, the one track that this album would be remembered for is the only other non-Brazilian tune, Burt Bacharach's "The Look of Love," in an inventive, grandiose arrangement with a simplified bossa beat. The tune just laid there on the album until Mendes and company performed it on the Academy Awards telecast in 1968. The performance was a sonic disaster, but no matter; the public response was huge, a single was released, and it become a monster, number four on the pop charts. So much for the reported demise of bossa nova; in Sergio Mendes' assimilating, reshaping hands, allied with Herb Alpert's flawless production, it was still a gold mine.


S$ 25

Bobby McFerrin on Blue Note BT-85110

Spontaneous Inventions - Bobby McFerrin
For the ever inventive master of his vocal chords, Bobby outdoes himself constantly with his improv skills.

Cover

Back cover


LP and Label


Review on allmusic.com
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:hxfuxqwgld0e

Reviewby Scott Yanow

Bobby McFerrin is heard in prime form throughout this date, which was the follow-up to his classic The Voice. A few of the numbers are taken unaccompanied, and these include memorable renditions of "Thinkin' About Your Body," "I Hear Music," and "MaƱana Iguana." Pianist Herbie Hancock duets with McFerrin on "Turtle Shoes"; "Another Night in Tunisia" (taken from the Manhattan Transfer's Vocalese album) features McFerrin with the vocal quartet and Jon Hendricks; soprano saxophonist Wayne Shorter interacts with the vocalist on "Walkin'"; and an eccentric "Beverly Hills Blues" has "assistance" from comedian Robin Williams. A continually intriguing release with plenty of wit from the innovative singer.


S$25

Charlie Parker on Prestige 2LP 2162-24009

A not-so-good recording of a historical session. For all Bird fans. LP in very good condition. (actual photos used)

Cover

Label

The twins

Review from allmusic.com
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:wxfuxqrgld6e

Reviewby Steve Leggett

These poorly recorded live Charlie Parker dates were captured in 1948 and 1950 and were originally released as two separate LPs, Bird on 52nd Street and Bird at St. Nick's. The personnel for the 1948 gig included a fledgling Miles Davis on trumpet, Duke Jordan on piano, Tommy Potter on bass, and Max Roach on drums, while the 1950 date has Red Rodney on trumpet, Al Haig on piano, Roy Haynes on drums, and Potter again on bass. There's little doubt that these were hot nights for both units, and Parker's solos, particularly on a smokin' "Confirmation" from the 1950 St. Nick's date, are often nothing short of amazing, but unfortunately the fidelity here is awful, bordering on unintentional white noise, and the poor sound quality, which still can't quite mask the power of these performances, makes listening to these tracks more frustrating than fruitful. These sides are certainly historically viable, and dedicated Parker collectors and admirers will undoubtedly be drawn to hear them at least once, but this reissue is really an exercise in what could have been, a missed opportunity to hear two wonderful bands led by an impassioned Parker in full flight. In the end, it's a bit like hearing Parker from the next room.


Price: S$35

welcome ...

there's a global vinyl revival happening even as you read, where many music fans, including teenagers, are discovering and re-discovering the potential of the analogue sound ...

I hope that you are able to find something here that suits your listening pleasure. These are all from my own collection. My tastes are constantly changing, so these records that you see listed here are most likely past favourites that I have to find a new home for now.

Enjoy the search and please email me at spiral@pobox.com should you find something you like!